Three Little Words
Pale Blue Dot
Luckiest Girl Alive
Big Little Lies (TV)
Happily Ever After
Get Her Off The Pitch
Pennyroyal’s Princess Boot Camp
Men Are From Mars, Women Are From Venus
One Hit Wonder
Who Invited Her?
Untitled Peggy Lee Biopic
The Pioneer Woman The Intern Passengers Big Eyes Sex Tape
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Abi Morgan To Adapt ‘Ashley’s War’ For Fox 2000 And Reese Witherspoon
Fox 2000 has set Abi Morgan to adapt the Gayle Tzemach Lemmon book Ashley’s War: The Untold Story Of A Team of Women Soldiers On The Special Ops Battlefield. The studio, led by Elizabeth Gabler, won an auction in March at a time when several military-themed books were selling after the outsized grosses of American Sniper. Pacific Standard’s Reese Witherspoon and Bruna Papandrea are producing with Natalie Krinsky, and the expectation is that Witherspoon will play a major role. Book tells the story of the creation by the U.S. Army Special Operations Command of a pilot program that allowed elite women soldiers on the battlefield with Green Berets and Army Rangers in Afghanistan in 2010. The unit, CST-2, brought together a hand-picked group of women from the Army, and that included 1st Lt. Ashley White, who would become the first CST member killed in action.
Morgan is best known for scripting the Steve McQueen-directed Shame, and the Meryl Streep-as-Maggie Thatcher drama The Iron Lady. She followed with the Sarah Gavron-directed Suffragette, which stars Streep, Helena Bonham Carter, Carey Mulligan and Brendan Gleeson, with Focus releasing the film on October 23. She co-wrote the Suzanne Bier-directed Rules Of Inheritance, is adapting Shakespeare’s Taming Of The Shrew and is working on the feature version of Little House On The Prairie for producer Scott Rudin and Sony.
Morgan is repped by CAA and Independent Talent Group.
Reese Witherspoon Developing ‘Napkin Notes’ Memoir for the Screen
Reese Witherspoon and Bruna Papandrea’s Pacific Standard banner is developing a film adaptation for New Line of Garth Callaghan’s memoir “Napkin Notes: Make Lunch Meaningful, Life Will Follow.”
Witherspoon and Papandrea will produce “Napkin Notes,” which New Line optioned last September. Mike Binder, whose credits include “Black or White,” “Reign Over Me” and “The Upside of Anger,” has come on to adapt the script. Toby Emmerich, Andrea Johnston and Richard Brener are overseeing for New Line.
Callaghan’s book, published by HarperCollins, details how he began writing short inspirational notes on napkins to put in his daughter Emma’s lunchbox daily to connect with his daughter. The practice took on far more significance after Callaghan was diagnosed first with kidney cancer and subsequently received four other cancer diagnoses.
“Napkin Notes” is Pacific Standard’s ninth development project. Witherspoon and Papandea formed Pacific Standard in 2012 in order to remedy the absence of movies with female protagonists. They have since produced “Wild,” “Gone Girl” and “Hot Pursuit.”
The banner has been developing Jessica Knoll’s “Luckiest Girl Alive” at Lionsgate, Gayle Tzemach Lemmon’s “Ashley’s War” at Fox 2000, S.J. Watson’s thriller novel “Second Life” at Warner Bros. and Maureen Sherry Klinsky’s upcoming novel “Opening Belle” with an eye to Witherspoon starring in the Wall Street comedy. Pacfiic Standard is also developing an adaptation of the novel “Big Little Lies,” “The Engagements,” “Pennyroyal’s Princess Boot Camp” and “The Outliers.”
Witherspoon is repped by CAA and Rick Yorn at LBI Entertainment. CAA, which packaged the deal, represents Pacific Standard and Callaghan.
News about “Napkin Notes” was first reported by the Tracking Board.
Reese has been promoting Hot Pursuit in Mexico this week, along with her co-star Sofia Vergara. On Monday they attended a premiere for the film, with Reese wearing a red Yves Saint Laurent dress, and the day after a photocall for the film was held, with Reese opting for a cream Thierry Mugler Resort dress with Louboutin heels and jewelry by Jennifer Fisher.
Photos from both events can be found in our Gallery. Check out Reese’s pics from her travels at her Instagram page. And further down this post are video interviews and footage from the events.
Scans from Reese’s recent cover for In Style US have now been added to our Gallery. In the magazine she discusses her Southern roots, fame, female influences and role models, Draper James, and her recent film roles.
Over the past week or so I’ve been updating the Gallery with scans of magazines Reese has featured in this year. There’s lots on Wild from the awards season, some recent coverage on Hot Pursuit, and covers including W, Vanity Fair and Glamour Latin America. Also included in this batch are scans from Reese’s most recent cover for Marie Claire Australia, which although is a reprint from Glamour US, is still very pretty! Lots more scans to come….
The Teen Choice Awards nominees have recently been announced, and Reese has scored two nominations – one each for Wild and Hot Pursuit. See the full list of nominees here. You can vote online from later today at www.teenchoice.com/
The Teen Choice Awards will air on August 16th.
Choice Movie Actress: Drama
Blake Lively – The Age of Adaline
Britt Robertson – The Longest Ride
Felicity Jones – True Story/The Theory of Everything
Reese Witherspoon – Wild
Kristen Stewart – Still Alice
Chloe Grace Moretz – If I Stay
Choice Movie Actress: Comedy
Anna Kendrick – Pitch Perfect 2
Emma Stone – Aloha
Mae Whitman- The Duff
Raini Rodriguez – Paul Blart: Mall Cop 2
Rebel Wilson – Pitch Perfect 2
Reese Witherspoon – Hot Pursuit
Reese Witherspoon Bullish On Wall Street Comedy ‘Opening Belle’
Reese Witherspoon is developing a big-screen take on the upcoming novel Opening Belle, which also could be her next starring vehicle. She and her Pacific Standard partner Bruna Papandrea are set to produce the story about a mother of three trying to balance home life with her Wall Street career during the year before the financial meltdown. Maureen Sherry Kinsky’s book, due out this year from Simon & Schuster, is based loosely on her experiences as a managing director at Bear Stearns.
Witherspoon is coming off a Best Actress Oscar nomination for 2014’s Wild — and a critical and commercial stumble with last month’s Hot Pursuit, in which she starred with Sofia Vergara. Pacific Standard also produced that film, along with Wild and last year’s David Fincher-Ben Affleck thriller Gone Girl. The company also is producing Big Little Lies, an HBO limited series in which Witherspoon stars with fellow Oscar winner Nicole Kidman. The actress-producer is repped by CAA, LBI Entertainment, and Hansen Jacobson.
The Opening Belle story was reported first by the Tracking Board.
While hosting a Walmart shareholders meeting in Fayetteville, Arkansas, on Friday, Reese Witherspoon taught one Walmart employee a little trick she picked up from her role in “Legally Blonde.” It’s called the Bend and Snap, and in case you didn’t know, it has a 98 percent success rate in getting a man’s attention and an 83 percent rate of return on a dinner invitation.
Here’s an interesting interview with Reese’s Pacific Standard partner Bruna Papandrea; Bruna talks about the work she and Reese and are doing, including some of their upcoming projects. Below are the parts that specifically mention Reese/Pacific Standard, click the link at the bottom to read the full article.
Why Australian producer Bruna Papandrea is one of the most powerful women in Hollywood
BRUNA Papandrea is waiting patiently for me in the bar of a slick Sydney hotel.
Hotel guests and staff walk straight past her without batting an eyelid – they’re more interested in the C-list celebrity loitering in the lobby.
But the star-spotters have it all wrong – it’s Papandrea they should be excited about catching a glimpse of.
She might not be a household name, but the 43-year-old Aussie is one of the most powerful women in Hollywood.
Along with business partner Reese Witherspoon, Papandrea owns production company Pacific Standard, and is behind two of the biggest movies of the past eight months: Gone Girl and Wild.
Pacific Standard’s special remit is to create more roles for women in film on both sides of the camera.
“I have a lot of friends who are actresses,” explains Papandrea of their decision to start the company and focus on creating roles for women.
“I’ve read scripts for them for many years and have always been heartbroken at the type of role they were being offered – just girlfriends or wives.
“They weren’t complex women, not like [the male roles], who are at the centre of movies.”
When Witherspoon sat next to Papandrea at a dinner party and mentioned she was no longer being offered any interesting parts, Papandrea was shocked.
“It was astounding to me. If these roles weren’t being developed for big movie stars, then who were they being offered to? Who was developing them? I thought [in order to make interesting films about women] we also need more female directors, writers, technicians and cinematographers.”
Reese Witherspoon Calls ‘Cruel Intentions’ Reunion ‘So Much Fun’
Reese Witherspoon joined “Extra” at this weekend’s Produced By Conference in Los Angeles, where she talked about how much fun she had reuniting with her “Cruel Intentions” co-stars Sarah Michelle Gellar and Selma Blair.
They were all at Rockwell Table & Stage’s “The Unauthorized Musical Parody of Cruel Intentions” in Los Angeles last week. Reese said, “Sarah, Selma and I, we knew all the lines.”
A photo posted by Reese Witherspoon (@reesewitherspoon) on
The trio documented their girls’ night on social media, with Sarah and Selma even reenacting their famous onscreen kiss in a pic that went viral. Reese revealed she didn’t realize what Sarah and Selma were doing. “I didn’t even know they were doing it. They’re cute, they’re such nice girls, and we had so much fun sort of reliving the old days.”
Reese has starred in countless movies since the 1999 release of “Cruel Intentions,” and recently took on the role of producer with such films as “Gone Girl” and “Wild.”
Up next for the Oscar winner is working with producing partner Bruna Papandrea on the live-action film “Tink,” based on the beloved Disney character, Tinkerbell.
“We’re excited,” Reese said about the film that she will also star in as the title character. “It’s our biggest family film we’ve thought up.”
Reese Witherspoon on Portraying Hillary Clinton, Finding Great Roles for Women
Reese Witherspoon offered plenty of encouragement to fellow producers on Saturday morning by stressing the need to focus on the female audience — as demonstrated by her recent producing efforts, “Wild,” “Gone Girl” and “Hot Pursuit.”
“Women make up 50 percent of the population,” she said. “We should make up 50% of the movies we see.”
Speaking at the Producers Guild of America’s 7th annual “Produced By” conference on the Paramount lot, Witherspoon said the success of her Pacific Standard company stems partly from Hollywood knowing what to expect from the shingle. Witherspoon noted that she and partner Bruna Papandrea created the banner out of frustration with a lack of interesting roles for actresses.
“It is great to have specificity because people know what to send you,” Witherspoon noted. “We are looking for great female parts.”
But Witherspoon also noted that Pacific Standard wants to succeed on the basis on story. “The films we make are not chick flicks,” she insisted. “‘Wild’ is just about a human being.”
Speaking to a capacity crowd of more than 500 at the Paramount Theater, Witherspoon also addressed the question of whether she’d ever portray Hillary Clinton. She responded by saying that she’s been asked to do so several times and wryly pointed out that she portrayed a young version of Clinton as Tracy Flick in 1998’s “Election.”
“When I did meet Hillary Clinton she said, ‘Everybody talks to me about Tracy Flick in ‘Election,’” Witherspoon added.
Asked by moderator Will Packer if they believed they had made any mistakes with “Wild,” Witherspoon responded: “Shooting 55 locations in 30 days was probably not the best way to start, but we were determined.”
Both producers noted that they were also pregnant at the time. Papandrea said being a mother is not a disadvantage.
“I make better decisions because when I’m leaving my children, I want to do something I love,” she said.